Did you ever solve a Rubix Cube?

A number of years ago I got a wild hair about hexagons and English Paper Piecing.  I knew it work work well for travel and had lots of flexibility. 

Marti Michell has a book focused on hexagons and had a couple of line drawings of some ideas but no patterns for what I wanted.  I could see that if I could find 6 shades of some basic colors I could work up a variation on a tumbling block quilt with some pieced stars.  The whole thing does a 3 dimensional look.  Over the last 6-7 years I have collected the fabrics and worked on the quilt every now and then.  Often the quilt would just sit on the wall waiting for new pieces to join in.

In the last 6 months I got serious about completing the quilt just simply because I was close enough that I could see the end.  Blocks came together and went up on the wall....moved around to other locations....The stars moved from the top to the side of the blocks...making the stars took more trial and error than what I planned ...remakes were numerous....and suddenly the whole center of the quilt was done.

With the help of Page, Mary, Debbie and MaryAnn I figured out the border treatment and got the top finished and to Page for the quilting.  She experimented with different thread colors and designs in the border to complement the flow and movement of the piecing.

 

 

As with almost every quilt that I make, I learn something new or fine tune a skill.  In this quilt I found that my hand-work on the English Paper Piecing dramatically improved with time & experience.  I also found out the it is really hard to have a floating border that stays straight.  If I had to do over there are multiple color placement changes I would make and I know for sure that I would stitch in the "in the ditch" quilting for the ribbons first and then applique down the fabric after the fact.  The double piping that I used on this worked well but I think I needed a slightly larger cording to add a little more weight to it.

I like the quilt, it looks great (hangs straight despite the quality of this photo), it will never get a ribbon (just too many errors) but it was a process and adventure.  On to the next one.........

A 50th Anniversary

Steve's cousin is celebrating 50 years today.  We are on the way to the event this evening. 

I asked for a copy of the Anniversary  photos used on the invitation to include in the label I put on the back of the quilt.  I got the binding on my lap size version of This and That from Glad Creations and think it will work well for them this winter.

Take Three Fabrics, Just Add Thread

This quilt has been such an adventure over the last 15 months.

We did this as a group quilt with Mary Reinhardt taking lead on the fabric and machine embroidery/applique.  Jan Malmquist put the blocks together.  Page Johnson went wild with the quilting.  I did the piping and binding on the scalloped borders.  Gail, Shelly, Debbie and I all helped Mary get the crystals and beads on the quilt (truth be told, Mary did the lion's share and then some).

The quilt has ribboned in every show that it has been in.  At MQX in Cedar Rapids this spring it took the Best Collaboration ribbon and First Place in the Group Category at AQS show in Paducah this year.  Mary and Page were there to walk the stage and get the ribbon for that one.

Mary has submitted the entry for Houston but has not heard yet if it has been accepted.  We just got copies of the AQS 2016 Calendars and find that we are collectively "Miss March"

It has been fun to watch this quilt do so well.  Now Mary has another idea for the group.  We will start a new project soon.

Sample Quilt

In a later post I will tell you about the challenge that started this quilt for now we will just talk about the quilt.

I was challenged to use some colors that are a bit of a stretch for me and found a goodly selection of the right colors in the Amana Colony quilt shop when Steve was at a handtools wood working weekend event.  I also found the pattern at the Woolen Needle in Willamsburg, Iowa.  Their design is for wool applique but I thought it would be a great practice piece for Karen Kay Buckley's machine applique technique.  When I looked at my purchases I realized that the one complemented the other and I was off to the races.

 

So far I have the center nine-patches made and assembled plus the flying geese border.  I decided that it is coming out better than expected so I am redoing some of the flying geese where the tips got cut off.  Next is the wide outer border and a really nice gentle applique design.  It should be good practice for me.  I have some ideas for the binding that is a little different too.  We will see as this project comes to closure.

More to come on this one....

Compass Moon

We serve no wine (whine) before its time!

Years ago I was really impressed with the stunning Moonglow quilt.  I thought it was gorgeous but I really didn't want to do a kit.  Time passed and then the 10th Anniversary version came out and I thought "Kit or no kit I am going to make that quilt".  When the kit arrived I got all organized and started my paper piecing journey with Jinny Beyer's pattern and fabrics. 

I quickly realized that I had a goodly amount of fabric that I could do some editing with AND I really didn't want a large wall-hanging.  I started tinkering with the design on paper and in EQ7 and figured out that I could put a center compass star in the quilt as a medallion and size up the quilt for my bed. 

It took a couple of years working on the blocks every now and then to get the framing squares ready to go.  Then I drafted the center compass star.  I drew it out to scale so that I could paper piece the whole star. I worked on the colors and the fabrics to go in the compass.  I ended up buying enough additional fabric to make several stars and blocks.  Every time I thought I had what I wanted I would decide that another fabric would work better.  Naturally on the first compass I was a smidgen too large for the actual space.  The second star (mind you these are 42x42 inch compass stars) had colors in the wrong place.  Finally by the third version I had the star I wanted.  For almost a year I had the hand drawn pattern taped to the top of my quilting table so that I could re-trace the pattern if I needed to make it one more time.

In April of 2014 Steve and I were in Washington DC and stopped at Jinny Beyer's store where I found the perfect border fabric to complement the quilt versus the five or 6 borders she has on Moonglow.  When I looked at the fabric I realized that I could take one row of border fabric to frame the compass star and tie it in more with the other blocks.  A little tinker here and there and I finally got the compass pieced into the center. 

A couple of weeks ago I took the quilt to The Quilting Page for Page to work wonders on my newest personal quilt.  I will post a photo of the final quilt with the quilting in the next month or two.  For now here is the quilt with the center.  For me, the quilt is off the table and out the door.

The last six months in my quilt life

As they say: My road to hell is paved with my good intentions.  I really thought that I would carve out the time to blog on a regular basis and I just haven't done it.  So I will try again.

In the spring of 2014 I took a class from Janna Thomas at the Mancuso Quilt Show in Savannah.  It was a great venue for the quilt show and a really enjoyable class.  The Blocloc system is a little fussy but boy do you get some nice results.  While shopping the vendors I found some fabrics to add to the quilt and essentially ended up changing 60% of the fabrics based on my purchases.  I blame Meg Latimer for unabashedly encouraging me (she knows my fabric preferences better than I do and manages to help me spend money on a consistent basis.).

When I got home and had time to work on the quilt I was really pleased with both the pattern/ruler and the fabric. 

I did finish the quilt in November 2014 and worked with Page Johnson of The Quilting Page to do specialty quilting.  She went a little over the top with this one but it is fantastic.  The quilting really plays off the stripes and stars in the quilt.  Between Page and Mary Reinhardt they talked me into using a double ric-rack as a finishing edge with the binding.The effect is just too much fun and fanciful.

I think I put the last stitches into the binding the day I took the quilt to Glad Creations for the annual "Staff Quilt Show" the first week of January.  Our theme for the year was stripes.  I used a really cute striped fabric for the center of the blocks that I cut on point and mirror imaged for a "square" setting.  With the crayola colors carried from the centers out to the points and accent stars the whole quilt is just fun.

The quilt has been in a couple of quilt show and received 2 Teachers ribbons at MQX East and a teacher ribbon at the Minnesota Quilt Show in Duluth and made it into the Duluth Newspaper.  I entered the quilt in Non-Judged for a couple of reasons and  I was thrilled that it took the Viewers' Choice Ribbon.  How great is it when other quilters enjoy the quilt as much as I do. 

The quilt is back at Page's studio in Eagan hanging up on the wall.  With a black lab that sheds and a white background quilt, I think it is better that the quilt live at the studio for now.  Someday I will figure out a good home for this quilt.

Janna was at the Minnesota Quilt Show in June 2014 where I saw her book "The Block Maker II" with some great quilt designs.  I bought the book and a couple more rulers (like I need more rulers in my sewing room) and have been tinkering with some additional quilts for the future - but hold that thought.